Review of We Don’t Care About Music Anyway

We Don’t Care About Music Anyway screened last night at ATK Cama bar in Hanoi. A few dozen people had turned out, looking sheepish while Trí Minh played, waiting for the film to begin. The event is sandwiched each night by live experimental music drummed up for the cause, obviously meant to complement the documentary itself. Trí Minh’s distorted post-techno sample-and-hold mashed-up beats assaulted the ears of the waiting crowd, unsure whether to stroke their beards, jive around like a child in a tantrum or plonk themselves down and wait for the feature. Most opted for the latter, when the chairs finally arranged themselves.

The film was a journey through the lives of eight different experimental musicians in the Tokyo scene. However, that doesn’t even come close to doing justice to what the film, and the music itself was. It took you on a journey through each of their mentalities, giving you an insight into what made each musician tick (or grind), but not simply from one perspective. Each musician had a chance to explain their philosophy, eloquently and in discussion, to play their music, in intimate, personal surroundings and on stage in wild abandon. At the same time the film examined the sound-world of Tokyo itself, interlacing common scenes of urban life, drawing attention to the very things which the musicians obviously incorporate into their performance, both rejecting, assimilating and regurgitating it at the same time.

It was an inspiring film, and I challenge anyone not to be moved by its eloquence and transparency. The music is at times lyrical, abrasive, shocking, powerful, quiet and funny, but above all the reason for all of it is intertwined into the narrative of the film. Trí Minh’s post-film performance almost seemed unnecessary, but he’s showing us that in Hanoi they know what’s going on, and although the scene is a world away from Tokyo, it knows where it’s going, and it has a voice.

It’s screening tonight and tomorrow night again in Hanoi at ATK Cama bar, 73A Mai Hắc Đế, and in HCMC/Saigon on Friday. Get down and see it, and hear the music.

Savage Reduction

I read Sir Nick Serota’s article a couple of days ago in the Guardian with some interest. What particularly struck me was his mention of an “inevitable … savage reduction in support for individual writers, artists and composers”.

It strikes me this is not the best climate to be a composer, and his bleak picture of the future of the arts over the next few years compares well with what I have read elsewhere. He talks of a “discouragement of innovation”, things which Britain has been particularly good at, especially in sustaining the smaller art entities that actually contribute to a thriving scene. With the Arts Council taking massive cuts (possibly up to 30%) it may be time to either put away the score paper or do something radically different.

Soundcloud

My soundcloud page is now up and running

The Soul Weeps – Movement 1 by joshkopecek

Psappha perform The Warrior Fallen

Another video, this time of Psappha performing The Warrior Fallen.

ThingNY

I’m having a piece played as part of ThingNY‘s SPAM Concert on the 19th December 2009. In New York!

The concert starts at 7pm New York time, which is midnight (00:00-02:00) Saturday 19th December if my calculations are correct.

The concert with be streamed live here, so tune in if you can. Click here to add this to your calendar.

thingny